Cinejosh

Little fine tuning of the script, exciting screenplay, having strong emotions, powerful characterizations and suitable cast could have added more bite.

He failed to blend the genex aspirations, romantic elements and message in an interesting manner. None of the scenes excites or connect with the viewers. The story lacked emotions and this impacted the film in a big way. Though the film's duration is less, one gets a feeling that it never ends. The story turned out to be routine and monotonous and screenplay and direction turned below average. The script lacked novelty and this is the biggest drawback. Arun Chiluveru, Prakash Cherukuri's music offered nothing new. The songs just increased the length of the duration and added no value. Cinematography of Ravi Kumar is just ok and as per the story. Kotagiri Venkateshwara Rao's editing left many unnecessary scenes. Dialogues are just ok. Production values are average.

Altogether, Om Shanti Shanti Shantihi turns out to be a decent entertainer. Tharun Bhascker and Eesha Rebba came up with spirited performances and director AR.Sajeev did justice to the Malayalam remake Jaya Jaya Jayahe. Those who watched the film, find it nothing new and boring but those who haven't seen it will enjoy it, though at times, the narration dragged a bit. Had the film been original, Tharun Bhascker and Eesha Rebba would have been credited with a decent hit. However the remake brought down their spirited performances a little bit. But Sajeev should be commended for doing full justice for elevating the Telugu nativity in Om Shanti Shanti Shantihi and managing to entertain viewers with the remake. Considering all these aspects, Cinejosh goes with a 2.25 rating for Om Shanti Shanti Shantihi.

Police Complaint VerdictPolice Complaint offers an enjoyable theatrical experience for fans of horror, action, and thriller genres. By combining supernatural suspense with the philosophical theme of karma, the film delivers a gripping narrative that keeps audiences invested throughout.

Transfer Trimurthulu story is written by Kamal Teja Narla. Right from the start till the finish the narration, screenplay turns out to be uni dimensional. His thought process remained outdated and out of sync with the current generation. He still followed the same hero elevations, three songs, six fights, item song and cheap comedy scenes. With in five minutes into the story, viewers will be treated the same monotonous scenes that test their patience to the core. It increases with the passage of time and reaches its peak in the second half. The interval comes as a break from this torture. The story lacks basic emotions and everything looks artificial.

Director RVS Nikhil handles the emotional nuances of the story well, though the pacing could have been tighter. The film's exploration of intergenerational relationships and the importance of caring for elders is both timely and relevant. "Brahma Anandam" is a film that will resonate with audiences who appreciate heartfelt stories and strong performances, despite its imperfections. It reminds us of the enduring power of family bonds and the importance of pursuing one's passions. Though the film explores touching themes of family, sacrifice, and second chances, it didn't resonates them in an impactful manner onscreen. The balance between comedy and drama isn't always seamless. The editing by Praneeth Kumar could have been better. Cinematography by Mithesh Parvathaneni is decent. Music by Sandilya deserves mention. His background score also enhances the mood of the film.

Atogether, Bun Butter Jam turns out to be another run-of-the-mill youthful flick. For all the efforts of the director Raghav Mirdath and story writer Suresh Subramanian and sincere performances, the film very little entertainment to the viewers. The story has few elements to impress family viewers and youngsters. One can enjoy if they don't bother about the logics. Had Raghav worked on the story and screenplay and included more youthful, entertaining and exciting elements, things would have been different. Considering all these elements, Cinejosh goes with a 2.5 rating for Bun Butter Jam.

Altogether, Champion turns out to be a decent outing with strong technical values and neat blend of historic events with fictional elements.. Pradeep Advaitham, came up with a captivating and challenging subject, handles it competently. His and Roshan Meka's hard work is visible through out the film. Though a stronger emotional grip could have elevated the film further. Champion is a sincere attempt of depicting period war drama based on true event that blends sports with history in an engaging manner. Even though the film falters in emotional depth at places, its strong performances, technical finesse, and rich production values make it a watchable theatrical experience. Considering all these elements, Cinejosh goes with a 2.5 rating for Champion.

Altogether, Constable Kanakam lacks substance, Prashanth Kumar Dimmala failed to narrate the story in an impactful manner.

Altogether, Dilruba turns out to be silly and over the top, outdated youthful entertainer. Kiran Abbavaram changed his mannerisms attract the masses but director Viswa Karun came up with routine and monotonous scenes to highlight the romantic elements, youthful feel and emotions and went overboard with the action sequences failing to connect chords with the viewers. Considering all thes aspects, Cinejosh goes with a 2.25 rating for Dilruba.

Altogether, Hari Hara Veera Mallu delivers a high-octane blend of action and emotion, with Pawan Kalyan commanding the screen in one of his most intense roles yet, thanks to a gripping narrative by Krish and Jyothi Krishna. Be it the costumes, mannerisms, dialogue delivery etc, he created a sensation on the screen.

The story have novelty, and he could have added more value to the output had he worked on the script.

Marthand K Venkatesh's editing could have been better as there are many scenes that dragged the pace of the narration.

Shashtipoorthi story is penned by Pavan Prabha. Right from the start till the end the narration assumed a predictable plot. The story is routine and monotonous and outdated. Even in the 80s, this story would have found it difficult to bring viewers to the big screen. The story turned out to be weak but couple of scenes in the first half turned out to be decent. The interval block is ok but from then on the narration nosedives. Though, the director Pavan Prabha tried to connect chords with the emotions, everything turned out to be preachy and also predictable and failed to make an impact. To the top of it, the flashback episodes looked extremely odd, especially the romantic track which became a laughing stock. The pre climax generates interest but it turned out to be forced and hurried to the core. Finally when the film comes to an end, everyone heaves a sigh of relief. Director failed with his screenplay and direction.

Altogether, Sundarakanda turns out to be different romantic entertainer. Nara Rohit came up with a spirited and matured performance. Director Venkatesh Nimmalapudi on debut tried to touch the different and unique point in the love story and to that extent he succeeded. He raised few valid points in form of dialogues and powerful emotional scenes. However, uneven screenplay and illogical scenes played the spoilsport along with the slow narration. A little finetuning of the script and the story woud have turned the film's output more impactful. Considering all these aspects, Cinejosh goes with a 2.75 rating for Sundarakanda.

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