Emraan Hashmi casts a spell as Shivam Pandit once again, and no matter how hard you try, you simply cannot break out of it! While the second half of Awarapan succumbs to the predictable crime-drama plot and pacing issues, Nitin Kakkar makes sure that the script holds your attention through Shivam.
Babita Singh Reporting is a well-intentioned but lazy film! It has all the thematic ingredients to be an impactful social drama on domestic patriarchy wrapped in a crime story, but its inability to commit fully to any of the genres makes it one of the most uninteresting cop stories I have watched in recent times!
Border 2 is a loud and proud celebration of the Indian Soldiers, and I celebrate this valor wholeheartedly! The film surprises you with the climax, and the final edit on the Mitti Ke Bete Song gives you goosebumps!
Gandhari had all the ingredients to be a bone-chilling, high-stakes thriller, but it gets crushed down by Kanika Dhillon's overambitious writing that is all over the place!
If there is anything sorely disappointing in the movie, it is the music. The only songs that linger are the re-creations, including the Anu Malik song that gives the film its title.
It is an altogether mood – dark, poetic, and violent. While the pacing might test the patience of the ‘fast-forward’ generation, the chaos and the dreamy setup make it a must-watch in the theaters!
Koimoi's Trisha Gaur gave half stars out of 5 and "Ravi Kishan and Tejasswi Prakash's Psycho Saiyaan follows the footsteps of Taapsee Pannu's Hasseen Dillruba but loses the path."
Co-producer and director Amit Rai has himself penned the watertight script and the very grounded filmmaker-writer still enlists Jia Saxena as script supervisor.
Toxic is not the clean, crowd-pleasing comeback some fans might have wanted from Yash after KGF: Chapter 2. But honestly, this is the maximum Yash has Yash-ed!