Kota Bommali PS

Teja Marni skillfully crafts a compelling narrative, extracting stellar performances from the cast, particularly Srikanth and Varalakshmi Sarathkumar.

Most importantly, Varalaxmi and Srikanth needed an old feud only then the proceedings would have been way better. The hunt starts well initially but it gets monotonous as things progress. Things were interesting only till Ali did not find the whereabouts of Ramakrishna who had experience in combing operations and worked in greyhounds. Later, they get predictable. The film also suffers with the pace as the narrative gets slower at times. One can’t help but situations remind us of Jana Gana Mana, Asuran and even Naandhi (an innocent being framed as the culprit). Kotabommali is a film that only works in parts. There is a huge scope to improve it by leaps and bounds, but makers play it safe.