Janaka Aithe Ganaka

Even though the core plotline scripted by Sandeep Reddy Bandla and Suhas-Goparaju Ramana’s characters were good, the story is quite simple and slow at certain points. In the second half in particular, the screenplay suffers from a silly treatment that neither evokes laughter nor interest. Adding to this, certain key scenes were not logically connected. The heroine’s character and the ‘Enjoy Company’ episode could have been written strongly. The initial scenes featuring the lead pair lost their impact due to lethargic writing. The philosophy of the hero who believes either in giving the best to children or not having children at all is quite impressive. It would have been better if the conflict was built around this point. Additionally, the conflict between the hero and heroine’s families could have been established well.

Janaka Aithe Ganaka has a good point in the plot. The sluggish narrative and the lifeless court scenes made it unexciting. The songs come and go. The background score is good in parts. The cinematography and Production values are good. Many parts in the first half and the second half suffer from lag. Though the director stumbled in conveying the point related to a sensitive topic, he managed to write it in a non-vulgar way.

The second half of Janaka Aithe Ganaka is quite better when compared to the first half of the film. Murali Sharma’s entry into the court and the episodes impresses the audience. Some of the scenes are quite dragged. There is no strength in the courtroom drama. Prasad’s wife statement is crucial and her statement will end the story of the film. The writing is weak throughout the second half of Janaka Aithe Ganaka. The demands of reducing the school fee and other expenses is not narrated well. The hero’s illogical argument is not well written and presented.