Times of India

by Archika Khurana

The drama unfolds not through dramatic twists but through emotional erosion.

by Divya Shree

While the first half builds genuine curiosity, the second half settles into a predictable narrative. Still, Sai Kamakshi Bhaskarla's performance, along with the strong potential shown by Jovika Vijayakumar, makes the film worth a watch for audiences who enjoy supernatural horror.

by Shreya Varanasi

Still, Ameer Log has a warm heart and a sincere message about friendship, hard work and staying true to one’s roots. It may not always hold attention, but its simplicity and groundedness make it an amiable watch.

by Susmita Sameera

When Ayogya 2 was announced, it promised an engaging village-level political drama with a deeper exploration of local issues and governance. However, the film largely settles for a familiar commercial formula.

by Archika Khurana

Babita Singh Reporting is ultimately not an adrenaline-fuelled police thriller. Its real investigation is into the psychological cost of constantly being underestimated.

by Dhaval Roy

While there are moving moments, the action sequences and Sunny Deol’s trademark fevered dialogue delivery feel incongruous with the largely emotional drama.

by Gopika Is

Naturally, the film has its flaws, but as a feel-good romance, it is well made and a perfect Onam release. The climax lands well, allowing the audience to leave the theatre with a light heart.

by Archika Khurana

While Border 2 may not recreate the once-in-a-generation impact of its predecessor, it succeeds as an emotionally charged and crowd-pleasing war epic that largely delivers on its promise.

by Susmita Sameera

Boys Never Compromise attempts to blend adult comedy with horror, centering on a group of friends whose road trip spirals into a paranormal nightmare. For a significant portion of its runtime, the film focuses on the group's carefree lifestyle, with scenic locales serving as the backdrop for endless drinking, partying, and crude humour.

by Susmita Sameera

Brahmakamala begins with Apeksha (Adhvithi Shetty) distributing invitations for her baby shower among friends and family. As the day of the ceremony approaches, her husband Raman (Siddu Poornachandra) arrives late, and it becomes evident that their marriage has been strained with him and in-laws.

by Archika Khurana

The Carry On Jatta franchise has never pretended to be anything beyond a loud, logic-defying comedy of errors. Its strength has always been its ability to turn confusion into entertainment and chaos into laughter.

by The Times

The Times of India rated 3.5/5 and commented that a compelling story, backed by effective twists, keeps the tension alive till the end.

by Susmita Sameera

At its core, Chowkidar is about a father who sees himself as the ultimate protector, true to the title, a guard watching over his child. Yet the film’s greatest impact lies in the uncomfortable realisation it provokes: love without boundaries can be as destructive as neglect.

by Abhishek Srivastava

‘Clean Up Company’ has a good setting, a promising premise, and a capable cast, but the pieces do not come together as they should. The plot keeps moving but gives the viewer little time to take in what is happening or connect with the characters.

by Susmita Sameera

Cult opens on a deliberately unsettling note, introducing its protagonist in a state of physical and emotional ruin. From the very beginning, the film establishes discomfort through dialogues that express bitterness toward love and women, leaning into a familiar portrayal of a man broken by a failed relationship.

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