Times of India

by The Times

The Times of India rated 3.5/5 and commented that a compelling story, backed by effective twists, keeps the tension alive till the end.

Dacoit: The Love Story aims to ride that high with a mix of intensity, emotion and swagger. But instead of coming together as a gripping entertainer, it ends up feeling uneven and overstuffed - a film with big intentions that ultimately turns into a misfire.

Pravin Tarde’s devotional drama explores faith, atheism and farmers’ struggles through Tukaram and Sangita’s emotional journey. Powered by strong performances from Snehal Tarde and Mohan Joshi, the film raises sharp questions on blind belief before leaning heavily into Swami Samarth devotion. While the first half keeps viewers engaged, the predictable and stretched second half makes this a film that will mainly appeal to devotees.

by Sridevi S

Sridevi S of The Times of India gave 3/5 stars and wrote "Endless fan moments, all mass and no solid substance makes GOAT an average watch for the film lovers, and a celebrated watch for his hard-core fans.

by The Greatest

The Greatest of All Time received mixed reviews from critics who praised Vijay's performance and action sequences while the lack of character development and writing received criticism.

by Abhishek Srivastava

Abhishek Srivastava of The Times of India rated the series 3.5/5 and writes "Some plot points raise questions and feel poorly thought out."

by Poorna Banerjee

Poorna Banerjee of The Times of India rated the film 3.5/5 stars and wrote "Phera ultimately succeeds because of its honesty.

by Archika Khurana

Archika Khurana of Times of India gave 3 stars out of 5 and said that "Psycho Saiyaan thrives on its central idea: “I love you and you love me — baaki sab characters hain.” It remains engaging, intense and intermittently gripping, even if not consistently unpredictable.

by Susmita Sameera

Susmita Sameera of The Times of India said that "As a result, the film struggles to establish a consistent tone, making it difficult to categorise.

Subhra is also the film's best-written character, armed with dialogues that are sharp, deeply observant and often strike at the heart of complicated relationships.

Instead of allowing the characters and situations to build tension naturally, the film relies too much on long speeches, dramatic lines, and predictable conflicts.

It's one of his more mature performances and anchors the film effectively.

A gripping setup let down by predictability Gopika Is Jan 24, 2026, 12:23 AM IST3.0/5Arun Varma’s Baby Girl has a simple premise that is made enjoyable for the most part by its screenplay.

Santhosh Narayanan's music and background score shine during several key moments, adding emotional depth and enhancing the film's atmosphere, even if they don't remain equally effective throughout.

Here, those moments are few and far between. Instead, almost every actor is loud, mouthing repetitive dialogue and most of the jokes simply fail to land.

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