Ronak Kotecha

in Times of India

Dacoit: The Love Story aims to ride that high with a mix of intensity, emotion and swagger. But instead of coming together as a gripping entertainer, it ends up feeling uneven and overstuffed - a film with big intentions that ultimately turns into a misfire.

in Times of India

A classic whodunit setup, writer-director Rajat Kapoor's Everybody Loves Sohrab Handa thrives more on messy relationships than pure suspense.

in Times of India

It's one of his more mature performances and anchors the film effectively.

in Times of India

Here, those moments are few and far between. Instead, almost every actor is loud, mouthing repetitive dialogue and most of the jokes simply fail to land.

in Times of India

Uttar Da Puttar's relatable premise, heartfelt performances, and grounded humour make it an easy film to connect with

in Times of India

Ronak Kotecha of The Times of India said that "Ultimately, Shatak is a technically superlative documentary that attempts to spotlight an organisation and its leaders through a distinctly reverential lens, recreating the era with remarkable visual finesse."

in Times of India

Ronak Kotecha of The Times of India rated it 3/5 stars and said that "Mrs Deshpande often feels familiar and occasionally over-explanatory, yet Kukunoor maintains a firm grip on suspense, holding back key revelations until the very end."

in Times of India

The performances in School of Lies are a true highlight. Each actor delivers their role with precision and restraint, creating an immersive experience for the

in Times of India

‘Sandeep and Pinky Faraar’ is one of those neo-noir films that set out with a promise to engage, entertain and educate by slowly unraveling its layered subtext. But with its preposterous execution and frustratingly slow pace, it’s the audience who might want to escape, much before Sandeep and Pinky.