Roktim Rajpal

in India Today

Suniel Shetty’s performance, it goes without saying, is the heart and soul of Hunter Tootega Nahi Todega. The actor is at his coolest best in the action scenes. His swag is hard to miss. The actor, however, does not get enough scope to internalise the emotional scenes.

in India Today

The series sadly does not reach its potential as the execution is middling, to say the least. The Night Manager opens with a well-shot fight scene, which tries to build an aura around Aditya's character. The show then moves at its own pace. The sequence depicting the death of an innocent character has also been executed well. It works mainly because of its haunting silences. The scene focusing on Shaan and Shelly's first meeting, too well as the silences again do the talking.

in Deccan Herald

The film has a good concept but the writing could have been better.

in Deccan Herald

Gehraiyaan makes an impact due to the effective screenplay and natural performances.

in India Today

The basic storyline has pretty much everything - right from action scenes to punch dialogues - that one expects from a film headlined by a mass hero. The plot reaches its potential due to the solid packaging. Each scene manages to build an aura around Chiranjeevi's character. GodFather opens with a series of slow yet intense scenes which establish the film's world. These sequences work as they have a sense of urgency, which makes it easier for the viewers to relate to the reel action. They do a pretty good job of setting the stage for Chiranjeevi’s massy entry. The actor’s introduction scene is subdued compared to the ones we saw in SS Rajamouli’s RRR and the Nandamuri Balakrishna-led Legend. It, however, packs a punch mainly because of Chiranjeevi’s stellar screen presence.