Gopinath Rajendran

in The Hindu

Gopinath Rajendran of The Hindu wrote "A pacy screenplay, marvellous performances and excellent technical prowess make Amaran a brilliant ode to the resilient families who love their bravehearts."

in The Hindu

Gopinath Rajendran of The Hindu wrote that the film "lacks the zaniness of Andhadhun and some of the scenes fall flat but it’s the primary cast’s sheer performance that keeps the film in check", particularly Prashanth and Simran.

in The Hindu

Gopinath Rajendran of The Hindu wrote, "Sundar C makes a much-needed comeback with the most intriguing addition to the ‘Aranmanai’ franchise, thanks to an engaging plot headlined by Tamannaah".

in The Hindu

Gopinath Rajendran of The Hindu wrote, "Hiphop Tamizha Adhi’s Kadaisi Ulaga Por is a mishmash of interesting ideas wrecked by its crude treatment".

in The Hindu

Gopinath Rajendran of The Hindu stated that the film is an "An off-balanced yet heart-warming tale on childhood aspirations".

in The Hindu

Gopinath Rajendran of The Hindu wrote, "Lubber Pandhu is a breath of fresh air and a refreshing addition to the ever-growing list of films on cricket; so much so that we can call it a whole new ballgame."

in The Hindu

Gopinath Rajendran of The Hindu wrote "Despite focusing on a pertinent issue that needs immediate attention and holding up a mirror to society on caste oppression and power dynamics, Sasikumar and Era Saravanan’s Nandhan suffers from shallow writing and amateurish making."

in The Hindu

Gopinath Rajendran of The Hindu wrote "Even if Nirangal Moondru might not pass with flying colours, it's a step on the right path for its young director, who is more adept at working with high-concept scripts than high-flying stars, for that's what brings out his true colours as a filmmaker."

in The Hindu

Gopinath Rajendran of The Hindu wrote "The impressive performances and memorable sequences stand apart like gold nuggets in a muddled sieve in Vikram and Pa Ranjith's intriguing yet incoherent Thangalaan."

in The Hindu

Gopinath Rajendran of The Hindu wrote "Despite a strong political core that puts out a message that's unfortunately relevant even in today's world and strong performances Vetri Maaran's sequel lacks the emotions that worked wonders with the first part."