Dhaval Roy

in Times of India

While there are moving moments, the action sequences and Sunny Deol’s trademark fevered dialogue delivery feel incongruous with the largely emotional drama.

in Times of India

Ek Din has an unconventional concept but a fairly conventional romantic set-up, with an odd couple finding love in each other. It has its share of contrived plot points, but it still makes for a decent watch, especially for those who enjoy heartfelt romances.

in Times of India

The atypical romance story and stellar performances make this mature love story worth watching.

in Times of India

The movie begins on a promising note, but the narrative loses steam as it struggles to build intrigue around Bheema's death or the couple's plan to pull off the scam. Almost all of its two-hour runtime is set inside a house, placing the responsibility for engagement and entertainment squarely on the plot and characters.

in Times of India

Imtiaz Ali’s signature poetic and deeply emotional storytelling, along with the powerful performances, make this a must-watch. The film’s bittersweet ache stays with you long after the credits roll.

in Times of India

Despite frequent pacing issues that demand patience, O’Romeo is worth watching for its performances, atmosphere, and cinematic brilliance.

in Times of India

Despite its promising premise and capable performers, Pati Patni Aur Woh Do gets too tangled in its own confusion to deliver consistent laughs. The film has a weak script and feels dated, with too many characters and situations worsening an already bizarre setup.

in Times of India

Krishnavtaram Part 1: The Heart's (Hridayam) story is familiar and spectacle-led, but the grand visuals, music and sincere performances make it worth a theatrical watch.

in Times of India

The writing is not consistently sharp, but the film maintains the Mardaani legacy in its action, production values, performance, and tone, which helps hold the audience's attention.

in Times of India

Even as the narrative moves toward its central conflict, it remains somewhat skewed and underwhelming, as it only touches on Hari and Om’s differences at a superficial level.

in Times of India

Director Manish Saini’s sci-fi comedy keeps you in splits almost throughout, especially in a sharp first half where Deepu convinces his classmates that his grandfather is a superhero.

in Times of India

A subject such as this requires a compelling narrative, but the script and screenplay are lacking in it.