Shampali Mullick of Sangbad Pratidin reviewed the film, noting that it effectively draws the viewer in from the opening scene.Read at source
Publication
Shampali Mullick of Sangbad Pratidin reviewed the film, noting that it effectively draws the viewer in from the opening scene.Read at source
by Swati Chattopadhyay Bhowmik
Swati Chattopadhyay Bhowmik of Sangbad Pratidin wrote that the film addresses a contemporary issue through the loneliness of children and teenagers and their dependence on social media.Read at source
Ranjan Bandyopadhyay of Sangbad Pratidin called the film an unmissable family entertainer that demands full viewer engagement.Read at source
Bidisha Chatterjee of Sangbad Pratidin wrote "The new generation still has a tenuous connection with Bengali literature; whether they read the books or not, they know the titles, and the scene of them taking selfies with the books demonstrates the director's realistic approach.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and opined "Human relations in the office space is the key wealth of the movie.Read at source
Ranjan Bandyapadhya of Sangbad Pratidin said that, The film's greatest strength is Rituparna's portrayal of Bela, where her restrained yet fire-within performance brings the once-forgotten, luminous Bela Dey vividly back to life.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and highlighted "Rukmini is the spine of the film, finely carved out by Ram Kamal Mukherjee."Read at source
by Arpan Das
Arpan Das of Sangbad Pratidin reviewed the film and wrote "Durgapur Junction could have been more tense by making the investigation scenes more detailed while maintaining the fast pace.Read at source
Sandipta Bhanj of Sangbad Pratidin wrote, "Parambrata Chattopadhyay’s Ei Raat Tomar Amar tells the story of a lonely couple expressing years of unspoken emotions on their 50th wedding anniversary night.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and wrote "The filmmaking clearly depicts a Feluda tone but the storytelling blurs the line between fact and fiction.Read at source
Sandipta Bhanja of Sangbad Pratidin termed the film as "Srijit Mukherji's most personal film till date" and highlighted "The film not deals with murder or serial killing.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and wrote "Although the horror element in the film is not scares you, it gives you a feel good wali romantic story." She praised the chemistry between Vikram-Sohini, their effortless acting - dialogue deliveries, numerous emotionally drenched romantic dialogues throughout the film, the songs, cinematography and cameos but pointed out the lack of emotional depth in certain scenes, weak acting of the supporting cast and repetitive scenes in second half.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and termed it as a "Paisa-vasool total entertainer." She praised the performance of the entire cast; particularly Abir, Ankush and Mimi, and mentioned that Ankush's cold villain performance will leave a mark in the audience's mind.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and wrote "Director Annapurna Basu must be praised for depicting the arrogance of the selfish patriarchal society, in her debut film." She praised Koel Mallick and Koushik Sen's acting, Basu's direction, the screenplay, the courtroom duel between Anirban Chakrabarti and Ranjit Mallick and the music of the film.Read at source
Sampali Moulik of Sangbad Pratidin reviewed the film and termed it as one of the best of Mukherjee's works.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film and wrote "At the beginning of the story, the makers pay tribute to Sonar Kella and Satyajit Ray.Read at source
Shampali Moulik of Sangbad Pratidin opined "Jayabrata has made a film rich in style.Read at source
Suparna Majumder of Sangbad Pratidin reviewed the film on a positive note and wrote "Kaushik Ganguly has successfully interwoven the emotions of love, anger, grief with the past and present.Read at source
Suparna Majumder of Sangbad Pratidin reviewed the film on a positive note and wrote "The film presents a unique love story which revolves around the life of two corporate employees.Read at source
by Priyak Mitra
Priyak Mitra of Sangbad Pratidin reviewed the film and wrote "The film aptly presents the life and sufferings of the bohurupi community and how they are trapped in the viscious cycle of poverty and politics." He mentioned the similarities between the married life of the thief and police to be redundant to the plot but praised the acting, cinematography and music.Read at source
Suparna Majumder of Sangbad Pratidin reviewed the film on a positive note and wrote "It was nice to experience Jeet in a comedic role instead of the larger-than-life massy roles.Read at source
Suparna Majumder of Sangbad Pratidin reviewed the film on a positive note and wrote "The film successfully displays old school love in the modern generation.Read at source
Sandipta Bhanja of Sangbad Pratidin reviewed the film on a positive note and wrote "Dev is the heartstring of the film.Read at source
Suparna Majumder of Sangbad Pratidin wrote "The music is good but not up to the mark.Read at source
Suparna Majumder of Sangbad Pratidin reviewed the film and wrote "No one else could have played this character better than Mithun." She praised the acting, the chemistry and emotions between the lead but criticized the unnecessary songs.Read at source
by Biswadip Dey
Biswadip Dey of Sangbad Pratidin reviewed the film and wrote "Dev and Srijit Mukherjee are the two nuclear factors of the film." He praised Mukherjee's engrossing screenplay, the songs and specially the background score, which aptly complements the scenes.Read at source