Manoj Tapadia’s screenplay is not half as exciting and thrilling as it should’ve been. For one, the drama takes too long to come to the point. Before the actual terrorist drama unfolds, a lot of time has been devoted to establishing how genuine, sincere and duty-conscious the nurses of Cama are — something which could’ve been done in two or three minutes. Even once the terrorist drama unfolds, the emotional angle takes a back-seat so that the pain and anguish don’t come to the fore. A couple of light moments in the midst of the tension-ridden drama don’t serve any purpose. Probably, the biggest drawback of the screenplay is that quite unwittingly, the drama reduces the enormity and seriousness of the havoc-wreaking episode by concentrating so heavily on just one location (the hospital). Manoj Tapadia’s dialogues are not very impressive.
Sanjay Prajapati’s story offers nothing new for the viewers to take home except, perhaps, what they already know. Anuj Kumar and Kiran Sharma’s screenplay is dull and often goes nowhere. The drama, therefore, becomes boring, more so because the roles are played by actors who lack star value. Sanjay Prajapati’s dialogues are routine. Ruma Sharma does an average job. Lakshya Handa is ordinary. Mehak Jain is so-so. Kunal Chhabra passes muster. Yash Purohit is okay. Deeksha Suryawanshi is below average. Priyanka Modgill hardly impresses. Shivani Wazir barely passes muster. Abhishek Singh Rajput performs routinely. Muskaan Varshney lends average support. Teji Singh is not up to the mark. Kanchan Singh hardly leaves an impression. Kiara Diwan delivers a dull performance. Shradha Joshi is weak. Kriti Verma does nothing to stand out. Viraaj (Kushagra Singh) is dull.
Rajnish Mishra has written a predictable story which offers no novelty. His screenplay has some exciting moments but that’s more because it involves the game of cricket. Otherwise, there’s not much newness in the drama. Rajnish Mishra’s dialogues are commonplace. Arun Govil is alright as Panditji. Darsheel Safary is okay as Arjun. Sajjad Delafrooz plays to the gallery in the role of MLA Iqbal Qureshi. Mir Sarwar lends routine support as Khalid. Others pass muster. Vinay Bhardwaj and Saumitra Singh’s direction is ordinary. Puneet Dixit’s music is nothing to dance about. Sanjay Masoom’s lyrics are alright. Background music is routine. Hemant Gulshan Chauhan’s camerawork is lovely and so are the Kashmir locales. Devendra Murdeshwar’s editing is sharp. On the whole, Krishna Aur Chitthi is a flop show.
Amal Singh and Vikas Arora’s screenplay is not very engaging. The drama doesn’t offer any novelty and hence the interest level of the audience never really rises above the average level. The duo’s dialogues are commonplace. Jatin Sarna is alright as Kaushal. Madhurima Roy does an average job as Tina. Pranay Pachauri is okay in the role of Veer. Others just about fit the bill. Vikas Arora’s direction is dull. Music (by Kartik Kush, Prini Siddhant Madhav and Devendra Ahirwar) is functional. Lyrics (Atique Allahabadi, Kartik Kush, Devendra Ahirwar, Raahi and Ceesur) are very ordinary. Sparsh Agrawal’s background music is nothing to dance about. Shanu Singh Rajput and Pappu Singh Rajput’s cinematography is dull. Shankar Samanta’s production designing is below average. Vikas Arora’s editing leaves a lot to be desired. On the whole, Na Jaane Kaun Aa Gaya is a flop show.
Abhishek Raj Khemka and Rajnish Thakur’s direction is dull. Music (by Vishal Shah, Sangeet Patil, Ripul Sharma, Aishwarya Nigam and Shravan Sinha) is dull. Lyrics are barely functional. Chinni Prakash and Adil Shaikh’s choreography is nothing to dance about. Harshavardhan Rameshwar’s background music is routine. Amol Gole’s camerawork is poor. Action and stunt scenes (by Abbas Ali Moghul and Ameet Naikar) lack thrill. Bijon Dasgupta’s production designing is average. Ranjeet Bahadur’s editing leaves a lot to be desired.
