The storytelling is so outdated that the protagonist transforms into a "love guru" after a breakup. Maddy hates the idea of love, and there is no earthly reason why the film revolves around this plot point for more than half an hour.
The film's politics grabs your attention. Kannada cinema is known to shy away from themes of caste discrimination; however, Jadeshaa here offers a serious, even if not unfamiliar, look at the fight between the haves and the have-nots.
If you are familiar with the Love Mocktail franchise, you know that the story sets off only in the second half. Director-actor Darling Krishna uses the first half to generate laughs.
With his sophomore film, Theertharoopa Thandeyavarige, Ramenahalli Jagannatha has taken several steps forward as a filmmaker. His debut, Hondisi Bareyiri, was a mixed-bag coming-of-age drama, suffering from a lack of freshness in execution despite a relatable plot.
Vivek M.V of The Hindu wrote "Directed by Dr Suri, Srii Murali’s ‘Bagheera’ is an entertaining superhero story of a masked vigilante, elevated by Chethan D Souza's stunts and Ajaneesh Loknath's terrific score."
‘Bhairathi Ranagal’ is elevated by the commanding screen presence of Shivarajkumar, who revels in ‘mass’ moments to power a straightforward gangster origin story
Vivek M.V. of The Hindu gave the film a positive review and wrote, "Family Drama is a refreshing attempt at cracking a genre less explored in Kannada cinema, and music director Chethan Ammaiah also deserves special mention for enhancing the vibrant flavour in the second half."
Vivek M.V. of The Hindu wrote, "This coming-of-age Kannada film, starring Dheekshith Shetty and Sanjana Doss, is riddled with stereotypes, and even the fine performances cannot save it".
Vivek MV of The Hindu in his review wrote "With its quirky, relatable comedy powered by gifted actors, Naveen Narayanaghatta's 'Moorane Krishnappa' is a delightful watch from start to finish."
Vivek MV of The Hindu wrote, "A remake of Porinju Mariam Jose, Vijay Binni's 'Naa Saami Ranga', starring Nagarjuna and Ashika Ranganath, is a 'masala' affair that plays it safe and misses the point of the original."
Vivek M.V. of The Hindu gave the film a positive review and wrote, "The four-story Kannada anthology isn’t revelatory, yet director Mithilesh Edavalath makes the film consistently engaging thanks to the solid execution of his ideas."
Vivek M.V of The Hindu in his review said "While faltering near the end, director Sandeep Sunkad makes a promising debut with ‘Shakhahaari’, a film that puts two vulnerable characters in the middle of a murder mystery."