The underlying theme is this: accept people the way they are, without making too much fuss. The writing is fluid in this laughter fest. Almost every character leaves an impression. Be it Anupama, Sachu or RS Shivaji—they slip effortlessly into their respective roles. They are so good that they deserve a separate film of their own. I swear I was waiting for RS Shivaji to say, “Saar, neenga engeyo poiteenga” (from Apoorva Sagotharargal), at least, in one crucial scene with Vivekh, but alas, that never happened.
